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SOUNDCLOUD REACHES ROALTY DEALS WITH 20,000 MUSIC LABELS

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Music streaming giants SoundCloud have reached royalty deals with 20,000 music labels as the streaming market heats up.


With its sleek design and easy integration with social media, SoundCloud has become one of the most popular sites for streaming music. But it has long had a tense relationship with the music industry because it lacked formal licensing deals, and so paid no royalties.

For the last year, SoundCloud — which says 175 million people use the service each month — has been under pressure from the industry to make those deals, with mixed results.

While it signed up Warner Music, one of the three big labels, it has apparently reached an impasse with Sony that has led to that label removing music by some of its biggest acts, like Kelly Clarkson and Adele, from SoundCloud.

Daniel Ek, C.E.O. of Spotify. A contract showed a deal between Spotify and Sony, adding to the debate on how much control labels have over streaming sites and how much artists earn.

But on Thursday, SoundCloud announced that it had struck a deal covering some 20,000 independent record labels through Merlin, an organization that represents small companies in digital negotiations. The deal covers some of the biggest and most influential independents, like Beggars Group (home to Vampire Weekend and FKA Twigs), Secretly Group (Bon Iver) and the electronic label Warp.

The Merlin deal follows another SoundCloud arrangement announced last month with the National Music Publishers’ Association, which also covers a range of smaller companies. Publishers handle the copyrights for songwriting, which are separate from those for recordings.

“Independent creators have always been at the core of SoundCloud, and with this partnership we’re thrilled to extend new revenue-generating opportunities to thousands of independent labels,” Alexander Ljung, one of the founders of SoundCloud, said in a statement.

SoundCloud, which started in 2008 and is based in Berlin, holds an unusual position in the music-technology world.

It is not a fully licensed operator, like Pandora or Spotify, but it is not a rogue service, either. The site remains highly popular with musicians, and it is often the first place labels and artists go to publicize brand-new music. In its most famous success story, the New Zealand alternative star Lorde released songs like “Royals on SoundCloud long before they were available anywhere else.

But even as SoundCloud tries to transform into a more official outlet, it has had difficulty convincing some of the industry’s big players that it can generate significant revenue for them.

Last month, SoundCloud announced that since its advertising platform started late last year, it had paid about $2 million in royalties. That is up from zero, but apparently it was not enough to impress Sony. SoundCloud’s talks with Universal, the other major label, have also been slow going.

Charles Caldas, the chief executive of Merlin, said SoundCloud’s deal with the independents was a step toward showing that it could generate money for the artists and labels whose music it featured.

“For SoundCloud as a business,” Mr. Caldas said, “their relationship with the music industry long term without having some form of monetization would make their future incredibly difficult.”

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